Saturday, May 15, 2021

My Birthday Cards

The kids made me these cards for my birthday:

Peter drew an amphiptere, or legless dragon.


Sam made an origami swordfish.



Clementine drew the gallery of her love in 12 drawings. 


And also wrote this poem, "My Heart is Full".


My Heart is Full

My love cannot wait
It burns to hold it in
You are you and I am I.
I will find you and you will find you.
But you must know that you are the one and only so do things while you are you, you.
So when I do find you we can do more together than ever.
I love you. I love you. I love you.
I found you!!!!
My heart is full and so is yours so now as we sit here you now know that...
I love you.

Thursday, May 6, 2021

Yellow

Sometimes, Clementine asks me to sing her a song before bed. Usually, the best I can come up with is "Yellow", sung in whispers across her pillow:

"Look at the stars
Look how they shine for you
And everything you do
Yeah, they were all yellow

I came along
I wrote a song for you
And all the things you do
And it was called Yellow

Your skin
Oh yeah, your skin and bones
Turn in to something beautiful
Do you know
You know I love you so
You know I love you so"

We had a long talk with the kids about motivation, success, life, and the fact they won't always have things handed to them on a silver platter like they sometimes do now. If they want something, they'll have to work hard to get it. If they have something, they'll have to work hard to keep it. We've made a lot of allowances for the pandemic, but this is their life, and they can't stop living it or doing the best they can. All in the context of getting them to stop complaining about going to their tennis lesson. 

They were good last night, and two out of three of them played really well. After sitting in front of a computer all day doing online school, they need to do something outside, and they were all in a much better mood afterwards. On the drive home from the rec center, as they all three chattered away about opening a restaurant where Sam catches the fish and Clementine cooks it, Sam suggested if they weren't married they should live in a camper van together. 

When I got home from work last night, I ran upstairs to take a quick shower. Elise followed me into the bathroom and closed the door behind her. 

"I just got this message from Grace," she told me. Grace was a co-worker from my office. "'If you take tennis lessons with Gihan, send me a message about tomorrow's lessons.'" Gihan was the kids' tennis coach. "What do you think it means?"

"Maybe he's not allowed to coach anymore." Colombo has been ratcheting up restrictions since the start of the Sinhala/Tamil New Year surge.

"You don't think he has Covid, do you?"

"I don't think so."

"He's so careful.  He double masks."

"Send Grace a message and she what she says," I suggested. 

Elise tapped on her phone screen. A few seconds later, she let out a relieved sigh. "He lost his phone."

Our thoughts have been in less dark places than of late. 

Elise has been painting more, in between helping the kids get through the long days of online school.  It's fascinating watching art grow around you. It become a living thing, changing every day. Like a house plant or a pet, something organic, more than a companion, a marker of the passage of time as it takes on a life of its own, spreads its nurturing tendrils throughout the house. 

When Elise is not at the easel, I will sneak peeks at the unfinished product, drawing peace from the slow, purposeful process. 

When she is in her studio, Elise will spend hours hunched in front of the easel, earbuds in, listening to podcasts as she wipes her brushes through paint, mixing it, creating colors yet without names. 

Some.of them yellow. 


Wednesday, May 5, 2021

Messy Hair Hat


When you have to keep your camera on.

Monday, May 3, 2021

Love in the Time of Covid

Elise and I went together but were separated from one another in the queue. She was called inside to register at one of the laptop computers while I continued to wait in the long, dark hall, hot save for the buzzing of a standing fan at the end of the corridor. I wouldn't see her again until we were done. 

I was called inside a few minutes later, but Elise had already left the room and was in the waiting area. I filled out a from, sat at a laptop while an attendant entered my name and date of birth, among other vital information.  A few moments after that, I entered the room where there were two chairs standing at opposite ends, a nurse with a needle hovering over each one. 

I picked the one closest to the entrance, not so arbitrarily; I happened to know the nurse, the mom of one lady of Clementine's classmates. "Are you ready?" She asked.

A ninja movie played on the TV overhead, soundless, yet fists of fury did little to calm me.

I nodded my head.

And she stuck the needle in my arm. 

"Is it out?"

"It’s out." 

For some reason, I pictured blood squirting out of my arm. "Is the band-aid on?"

"It's on."

"Now, you know where Clem gets it," I quipped, referring to the two instances she passed out at the doctor's office after getting a vaccination. 

"You can stay as long as you like."

As it turned out, I didn't need to stay as long as I thought I might. Needles aren't my favorite to begin with, and I passed on the phobia to all three children; some are growing out of it faster than others. Not to mention anticipation has been building toward this moment for over a year. In the end, it was somewhat anticlimactic. 

I rejoined Elise on the other side of the needle.  I pulled a chair up next to her in the hall outside the doctor's office. We sipped from juice boxes, basking in temporary relief, an atemporal moment, as though every second of the last year had led up to this moment, this juice box. I put my hand on Elise's leg, disrupting her reverie.  

“To him she seemed so beautiful, so seductive, so different from ordinary people, that he could not understand why no one was as disturbed as he by the clicking of her heels on the paving stones, why no one else's heart was wild with the breeze stirred by the sighs of her veils, why everyone did not go mad with the movements of her braid, the flight of her hands, the gold of her laughter. He had not missed a single one of her gestures, not one of the indications of her character, but he did not dare approach her for fear of destroying the spell.”
― Gabriel García Márquez, Love in the Time of Cholera

Yesterday marked a new peak for the number of cases in Sri Lanka.  Until today. And likely tomorrow will bring a new peak. 

In the mornings, a bird Elise calls the 'snorlax' (because when it chirps it sounds like snoring) sings from a palm tree outside the window to our bedroom. There are squirrels that live there, too, a arboreal rodent that looks more like a nimble chipmunk. They chirp, too, and if you get one started, the maddening sound can go on for what seems like hours, like a neighbors car alarm going off in the night.  These quotidian auditory cues remind life goes on, completely unaware a pandemic moves across the island, and when does a pandemic become a plague? 

The numbers -- the death -- are nothing like India, just to the north, 30 miles of seawater in the Palk Strait separating the island nation from the subcontinent. The news from there is horrifying, apocalyptic. We are left wondering how funeral pyres do not spread the virus, ashes of disease falling on Delhi slums like snow.  The fact the pandemic had relatively spared India had always seemed somewhat miraculous, hard to believe, and ultimately, now we see, fleeting. We think frequently of friends and colleagues there, Mrs. Rita, Mr. Sundar, and, of course, Elise's only cousin and his family in Mumbai.

The answer is never. A pandemic never becomes a plague, because a plague is not an epidemiologic term but one that refers specifically to a bacterial disease, such as bubonic plague, and not a viral disease. I guess that's good news, then. As bad as the pandemic may get, it will never become a plague.

Meanwhile, in Sri Lanka, schools have closed (again), and the temporary relief felt after receiving first doses of the vaccine is gone. 

It wasn't until late 1918, almost a year after most of the world had been dealing with the devastating effects of the Spanish Flu, that Sri Lanka suffered a deadly second wave, much as it is now. 20,000 Sri Lankans died that winter from the flu, demonstrating the island's vulnerability. 

Peter had been back to school five weeks and Sam and Clementine three before this most recent surge in cases forced schools to close again. We had just returned from spring break. All three kids were happy to be back, elated, giggly a little, even. They were picking after-school activities. Peter was reading more and had signed up for book club. Clementine was (appropriately enough) joining the drama club. Sam had a posse he hung with at lunch and in between classes; after bouncing between a couple of different groups that didn't quite feel right, he found a fit. He was grooving.

The closure of schools was extended to May 10. I don't know if I expect them to go back this year. Sam seems to feel the disappointment most acutely. When the government closed schools again, he was disgruntled, aggrieved. He bounced back and forth between Peter and Clementine like a pinball stuck in a broken machine, pinging between them, aggravating one, then the other. He was boastful and braggadocios in ways unlike him. Then, he hit Clementine over the head with a metal water bottle after swim practice Friday night.  

 “She discovered with great delight that one does not love one's children just because they are one's children but because of the friendship formed while raising them.”
― Gabriel García Márquez, Love in the Time of Cholera

We initiated a new practice this morning, 20 minutes of meditation.  We had already cleared everything out of the dining room to make room for Elise's easel, a yoga mat, and a place to put our bicycles that wasn't directly in the path of the front door.  It was a fair trade.  This morning we placed pillows on the floor in the newly-emptied space. Myself, Elise, and the three kids sat cross-legged on the pillows in front of Elise's laptop while it played the first episode of a mindfulness routine that had us focusing on heavy sitting bones and thighs, an elongated spine, and a sensation in our chests' not unlike the unfurling of rising steam, all with closed eyes.  

An April 19 New York Times article by Adam Grant, "There’s a Name for the Blah You’re Feeling: It’s Called Languishing" attempts to describe the feeling many of us have been stuck with for the past year,  "Languishing is a sense of stagnation and emptiness. It feels as if you’re muddling through your days, looking at your life through a foggy windshield. And it might be the dominant emotion of 2021." Austin Kleon's rebuttal, "I’m not languishing, I’m dormant" argues, "I’m not languishing, I’m dormant. Like a plant. Or a volcano. I am waiting to be activated."

There's something to take away from both articles, and I do feel guilty thinking more about the societal effects of the pandemic on our collective psychologies than the thousands still dying daily.  We've survived the pandemic as well as we have mostly due to extreme privilege, hard work and resilience, and a lot of luck.   

But it's probably Sigal Samuel's April 28 article "Of course you’re anxious about returning to normal life" that I may appreciate more, "the worry about returning to a global normal we’d rather not come back to. The pandemic broke open public discourse around issues that were either typically sidestepped — mental health struggles, for instance — or accepted with little resistance, like the rigidity of the modern workday. Will returning to normal life mean sweeping these hard conversations back under the rug?"

I feel guilty, too, for wanting a 'new normal', something transformational, when so many's prosperity and livelihoods, their ability to support their families relies on a return to normal, going back to the pre-pandemic normal, to exactly the way things were. 

But it doesn't matter what normal we have if your father dies for lack of an oxygen cylinder.  

“The only regret I will have in dying is if it is not for love.”
― Gabriel García Márquez, Love in the Time of Cholera